Cruddy by Lynda Barry

Lynda Barry has provided a thoughtful, interesting, and provocative novel about Roberta Rohbeson featuring, on the surface, ii diverse, precisely related story lines. The first is the story of Roberta as a sixteen- division-old daughter and details what happened to her to cause her to be grounded for a year for dropping two hits of acid in September of 1971. It is Roberta who gives the book its name. While grounded in her agency she begins to write in her diary with an ominous note of her int finish self-destruction, I planned this way before the drugs were a part of my flavour. . . .It was my idea to push down myself (Barry two pagers before 1). This plot thread is interwoven with a much detailed sinister thread that took place five years prior when Robertas parents separated and, at her m otherwises insistence, Roberta hide in the seat of her fathers elevator car and accompanied the Father, as she calls him, on a bloody, murderous, cross-country spree fueled by the near constant drinking by her alcoholic father. The spree ended with her father as the prime suspect in the Lucky forefront Motel Massacre and with Roberta walking through the Nevada while covered with blood (Barry).It is unclear however whether either of the plot threads very occurred within the domain of a function of the novel or whether they are the imaginings or hallucinations of a teenage little girl being punished for misbehaving. Unlike m each books that deal with teenage angst by portraying the protagonist as a person with a woe is me attitude, Cruddy distinguishes itself by not falling victim to this self-indulgent trap. Roberta is detached from her family. desire the impersonal description of her father as the father, Robertas mother is called simply the mother. Roberta views her younger half-sister Julie with the usual contempt of adolescents who are forced to share a bedroom. Roberta has a matter of fact attitude toward the rasets in her life and blames no maven fo r her actions. She remembers and acts upon some of the philosophical aphorisms her father espouses. DO NOT veer. NEVER, NEVER HESITATE and L. L. S. S. , (loose lips sink ships) (Barry 30, 99). The book features a large number of charcoal drawings that flesh out the accompanying text. These pictures provide the reader with the best physical description of the father.Page 22 features a portrait of a hard looking man with hollow eyes and a cigarette drooping reminiscent of Humphrey Bogart. The picture reveals an indie man who give brook nonsense from no one and will not hesitate to use violence should the need or opportunity arise. The fathers face reveals no compassion for anyone, not even his daughter Roberta whom he calls Clyde. Ostensibly the alcohol binge and crime spree of the father starts at the time of the separation of Robertas parents.When the father discovers that Julie, the younger sister, is not his, but the tiddler of his wifes boss he snaps because of the stress caused by the discovery. Combined with the apparent suicide of his father known as sr. soda water, it was more than he could bear. The newspapers natural covering the story of the murders alleged that the father stole Roberta in the middle of the iniquity and left a note threatening to kill Roberta if the mother calls the law of nature or tried to find them (Barry 23). According to Roberta this is largely a parable put on by her mother to get her picture in the paper.The real story is the mother made Roberta hide in the car and accompany her father. At the novels beginning the father was due to inherit the family business, a well-known local meatpacking plant where he worked as a mow down and had developed a good reputation locally. Instead of passing the business to his son Old Dad sold it out from at a lower place the father and left him unemployed and without funds. Allegedly Old Dad put the money into three Samsonite suitcases none of which he gave to the father. Then Old Dad hanged himself in the meat cooler.He believes his father, Old Dad, has cheated him and that he is just getting back what was his by natural right. Allegedly much of the fathers demand lies in hopes of get the suitcases and the supposed money in them. However, it is difficult to determine if there is any truth at all to the story of the three suitcases of money. Supposedly the meatpacking plant was heavily mortgaged and selling the plant was necessary to even off the debts, at least Im not leaving you in the hole, said Old Dad.If this were the case one would expect him to open the suitcases as he tack them and make use of the money, but he does not do this. When he finds the first suitcase he merely holds it up and says, not a scratch on it . . . Its Samsonite We could do a bleep commercial (Barry 25-38). This peculiar carriage calls into question whether this plot thread ever existed. Nonetheless with this theoretical motivation the father packs his butcher knives and leaves his wife. Blood has played an important role in the fathers life.Although he spent time in the Navy, being a butcher was his work as a butcher that he believed that he would get through success. He takes pride in the work he does and has hopes of challenging even the big packinghouses and that stores were going to come back and buy their meet from Rohbesons slaughter House (Barry 25). At the end of a workday he and his habilitate were often covered with blood. He is devoted to his knives and goes so far as to name them. undersize Debbie is his favorite and he gives it to Roberta to protect herself. The nature of the fathers profession was inherently violent.The violence manifests itself throughout the novel. He kills people in a variety of ways including homicide by car and shooting people. When Roberta is injured and receives a small cut on her finger that becomes infected, he casually uses Little Debbie to remove the finger at the knuckle while promising that Roberta w ould not feel a thing (Barry 198). The name of the combination slaughterhouse, restaurant, and bar where they incumbrance for a time is the whang Hammer, presumably a reference to a notorious method of killing beef about to be slaughtered by hitting them in the head with a hammer.The violence in the fathers life also occurs in Robertas world. Shortly after the father amputated her finger Roberta found herself thinking about killing the father and the others who live at Knocking Hammer (Barry 214). Shortly afterwards Roberta uses Little Debbie to cut the throat of the alternate sheriff while he is driving her to the institution where her father has committed her. By the end of the novel Roberta has killed her father by slicing his throat with the dig named Sheila. She also killed the others staying at the Lucky Chief Motel.Roberta has become a in series(p) killer. It is unclear whether or not examining the father helps understand his blood thirst. By the books end the two plot t hreads have virtually integrate and it is no longer clear how much of the events in the novel actually happened. It appears likely that the thread where Roberta gets grounded for dropping acid is true. However, it is less clear the other thread occurred at all. It whitethorn be the acid induced hallucinations of Roberta. It may be a story made up to entertain her chum Vicky.Both threads may be the imaginary world of a teenager trying to get back at her parents for grounding her for a year by imagining one of them an unfit mother and the father as a homicidal, alcoholic maniac. The novel works in all of these fashions and leaves the reader changeable just what is what. In any case the world where Roberta lives, whether it is real, imaginary, or the product of drug-induced delusions is a violent one. Works Cited Barry, Lynda. Cruddy An Illustrated Novel. New York Simon & Schuster, 1999.