An analysis of three women from three works by edith wharton Essay

An analysis of three women from three works by edith wharton - bear witness ExampleHer works display her in born(p) wit and are characterized for their humor, incisiveness and uneventfulness (Wikipedia).As a child, Wharton lived overseas until the age of six when her family settled in modern York. She was not formally schooled, but she educated herself by receiving instruction from her governess and by reading through her fathers collection of books (Dwight and Winner). In 1885, aged 23, she married Edward Robbins Wharton, but the spousal relationship was tumultuous and unhappy. The marriage ended in divorce in 1913, on grounds of her husbands public infidelity and degrading health.Whartons first work published, The thenar of Houses, is not a work of fiction, but a work on architecture and landscaping. In the course of her life, Wharton has traveled extensively through Continental Europe, eventually subsiding in France. From France, she observed the battles of World War I from t he frontlines and wrote Fighting France From Dunkerque to Belfort, a series of articles about the fighting. She was involved actively in the Red Cross and with the refugees, and was given the French Legion of Honor award for her efforts.In a writing career spanning forty years, Wharton would produce more than forty volumes of work. Her first work published, The Decoration of Houses, is not a work of fiction, but a book on architecture and landscaping. ... r work, responding particularly to the elegance and precision of her prose and the sharpness of her wit others dont handle her at all, finding it hard to get into her fiction because she seems so cold, the prose seems so detailed and self-conscious, and the subject matter is so elite (Edith Wharton).Said Dwight and Winner, Edith Wharton was a born storyteller, whose novels are justly celebrated for their vivid settings, satiric wit, ironic style, and moral seriousness, whose works contain characters are often portrayed as tragic victims of cruel accessible conventions, they are trapped in bad relationships or confining circumstances. The three works chosen for this paper, The Other Two, The Muses Tragedy and The Pomegranate Seed, are works of Wharton that impart examples to this statement.One such character trapped by conventions is Mrs. Alice Waythorn from The Other Two. The story is told from the point of view by Alices third husband Mr. Waythorn, whose glowing fascination for his attractive bride then turned to doubt about her personality and the fact that she was married twice before him. It is a doubt that grew each time he encountered her fountain husbands, to wane into numbness with familiarity with them, and to be resolved in the most humorous and unexpected of turns.The Muses Tragedy, aptly named, is the story of a woman named Mary Anerton, who was seen by the order she moves in as the muse of the renowned poet Vincent Rendle, and immortalized in his Sonnets to Silvia. While the public whisper ed of the great love affair between poet and muse, which lent fame - and after the poets death, spot on his works - to Mrs. Anerton, the truth is that the love affair existed only in Mrs. Anertons mind, the fruit of her unspoken longing for the