Innocence in William Blakes The Divine Image Essay -- Blake Divine Im

Innocence in Blakes The Divine Image Blake was both a poet and an artist and he created many Illuminated works which combined the two. These forms, for for each one one powerful in their own right argon even more(prenominal) so when used together as in The Divine Image. In analyzing this piece I will be looking at the elements and principles of art, the match elements and principles of metrical composition and how they support one another to convey William Blakes idea of Innocence.Elements are the fundamental building blocks used in either art or poetry. In art they are blood line, shape/form, value, texture, colour (which I wasnt qualified to deal with in this case as the only reproduction was murky and white) and space. In poetry one might classify the elements as banter choice, word placement, scansion or meter, capitalization and punctuation.Principles are what are produced by pose the elements together. In art they are focal point, movement, subordinate area (backgro und or setting), blood and repetition. Interestingly in poetry several are similar, videlicet movement, contrast and repetition. Other things one might classify as principles of poetry are rhyme, line treatment, and tone.Of every last(predicate) the elements of art I will be dealing with, line and shape are by far the almost important. All the figures are outlined and the vines running throughout the picture cite line as do the letters. Line is also essential in the creation of value as this was printed on a press and all the ink is the same value. To create changes in value Blake used contrasting densities and numbers of lines. The only texture in this work is a manakin of implied texture that comes with creating value through a build up of line some areas tend to acquire a ridged look. The use o... ... contrast of the living and the fire but neither the vine nor the figures are consumed. This presents an image of innocence similar to that of the Lion and the Lamb. Both th e poem and the image serve to re-enforce each other as they present the freedom, harmony, and safety found in the advance of Innocence. It seems fitting that these together would be called an Illumination as they help switch light on Blakes true meaning.Works Cited and ConsultedBlake, William. Songs of Innocence and of Experience. Intro. Geoffry Keynes. New York Oxford University Press, 1967. Easson, Kay. The artistry of the Book. Blake in His Time. Essick and Pearce ed. 1978. (35-51).Frye, Northrop. Poetry and Design in William Blake. The Journal of Aesthetics and stratagem Criticism. 10 (Sept., 1951) 35-42.Mellor, Anne. Blakes Human form divine. U of California P Berkeley 1974.