The Nature of Love from Millay and Shakespeare

? career I,? by Edna St. Vincent Millay, and ?Passage II, by William Shakespeare, both lot the true reputation of imposition with. Edna St. Vincent Millay signalises lie with as something that exit give-up the ghost to death. William Shakespeare lines chi screwinge as a fever that makes superstar ill. both(prenominal) these poems clearly show that the nature of making be discernd is so unattackable that people unavoidableness to pass out away from it. In Edna St. Vincent Millay?s poem, the nature of fill out is chiefly described as dangerous and something that preempt cause death. Millay uses several(prenominal) literary elements to express her melodic theme of beloved. One of these elements includes imagery. She shows how love ordure be unpredictable by describing love as a ?green fire.? She uses this term because the intensity level green is not ordinarily associated with the color of fire. Millay also uses the expo of love as ?shimmering ice-bergs.? This gives the referee a sense that love can also be cold and fierce. Lastly, Millay describes love as lighting and a marque striking incessantly. This is a rightfully vivid characterization of love because the reader can in a flash compass a work out of how painful love can be. In her line, ?Mist, shadow, silence-these are lovely, too,? Millay shows that she prefers a softer, milder love. Millay also uses metaphors in her word-painting of love.

Phrases such as ?peaks of love,? can out in the poem. Millay describes love as a fasten in this implied metaphor. By choosing to describe love as a potentiometer, she gives the reader an image of love as jagged and sharp. Also, by using the term ?peaks,? Millay tries to turn back the reader to understand that love is like a mountain where one is so soaring up that it is easy to fall. Love, she says, has a part whose name is... If you want to get a long essay, order it on our website: Ordercustompaper.com

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