'Poem Analysis of John Clare’s First Love Essay\r'

'The numbers root Love by derriere Cl atomic number 18 is written about the poet’s feelings of unanswered love for a wealthy farmer’s daughter, bloody shame Joyce. The poet uses various unusual burdens in the poem to convey this sense of loss, providing inscrutable insights into his estimate in a chatmingly simple and apprise piece. accept with linguistic communication which reflect the mood in each verse, these make it a very fibrous poem. An unusual form of contrast is used in first gear Love to create a knock-down(a) effect. The use of limited vocabulary is part of this, perspicuous throughout the poem. The repetition of â€Å" new” suggests that the poet has not, or cannot, conceptualize of another adjective.\r\nThis is further shown in the way that he lights the second stanza with â€Å"and then”, a very free-and-easy and unusual opening in a poem. Combined with this, an informal t genius is developed with the use of phrases much(p renominal)(prenominal) as â€Å"blood rushed to my face” and â€Å"I never saw so sweet a face”. Despite this informal tone, the mess while of the poem is very insightful, as it shows a view into the poet’s mind. Rhythm in the poem is key to this, creating sextette sections in the poem, with the rhyme scheme for each universe A, B, A, B, or for example â€Å"hour”, â€Å"sweet”, â€Å" florescence”, â€Å"complete”.\r\nThese sections of four lines each can be seen as individual thoughts of Clare, as they each hired man with a slightly separate topic. Rhetorical questions such as â€Å"Is love’s bed of all age snow” also contribute to this effect, as they are almost addressed back to the poet, providing an insight into his mind. Creating a thoughtful, musing atmosphere, these make First Love a stringy poem by contrasting the deep insights into the poet’s mind and the effects this love has had on him with the s imple tone and vocabulary.\r\nDivided into three stanzas, the poems examines the consequences of John Clare’s unrequited love for Mary Joyce. Stanza one deals with his initial effects she has on him, such as the total awe and shock at her beauty. In the first line, â€Å"struck” and â€Å"hour” create a metaphor of a clock, implying that this is the start of a late hour, or era in his life. The way that she has all told taken over Clare’s life is seeming(a) in the use of â€Å"stole my heart onward”, and his helplessness in her hands is exemplified by his legs refus[ing] to paseo away” and the question, â€Å"what could I ail? â€Å".\r\nThese words combine to show that the sight of Mary Joyce for the first time has left the poet helpless and overcome by her, creating a powerful effect. Clare’s affected perception of world is shown in the second stanza. The metaphor of his love fetching his â€Å"eyesight quite away” so that the â€Å"trees and bushes” â€Å"seemed midnight at noonday” shows the reversal of Clare’s worldviews as a result of this love.\r\nThe way that â€Å"words from [his] eyes did start”, which â€Å"spoke as chords do from the string” conveys the context of this, that he begins to talk in a distinguishable way, one that is universally recognised like medicament †the language of love. These two metaphors make the poem powerful by conveying the effect love has had on the poet. The final stanza changes the tone of the poem, lamenting the fact that Clare’s love is unrequited. Introduced by two questions which compare Mary Joyce to â€Å"winter” and â€Å"snow”, it shows that she is cold and hard.\r\nIt then concludes by linking Joyce’s â€Å"sweet… ace” back to the â€Å"sweet flower” mentioned in the first stanza, but shows that she has detain him, so that his â€Å"heart” â€Å"can return no more” to where it once was. The choice of cold, unforgiving words such as â€Å"winter”, â€Å"snow” and â€Å" dumb” creates an atmosphere of lament and sorrow, and the final line connect back to the first, which implies the start of a new age for Clare, as he â€Å"can return no more”. This stanza makes the poem powerful by tellingly concluding the poem, and by introducing the sorrow which is the final effect love has had on the poet.\r\nThe power and effectiveness of First Love is not in the cliched pass on of unrequited love itself, but the way that it portrayed. engrossed in a simple vocabulary and squeezable meter, a deep message is hidden which evokes great(p) sympathy in the reader. By opening a window into the poet’s mind, the reader is able to see the complete hold the love has on Clare’s life and thoughts. Accomplished through contrast and effective word choice, this is the reason John Clare’s First L ove is such a powerful poem.\r\n'